Courte biographie de Jenny Arnold

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Tous les spectacles mis en scène par Jenny Arnold

 

Tous les spectacles chorégraphiés par Jenny Arnold

001 On the Twentieth Century (Revival)
Joué durant  3 semaines - Bridewell Theatre (Londres - Angleterre)

Première preview: ven. 16 août 1996
Première: vendredi 16 août 1996
Dernière: sam. 07 septembre 1996


Metteur en scène:
Carol Metcalfe •  
Chorégraphe:
Jenny Arnold •  
Avec:

Michael N. Harbour (Oscar Jaffee), Kathryn Evans (Lily Garland), Peter Hilton (Bruce Granit), Josephine Gordon (Letitia Primrose), Clive Paget, Martin Callaghan, Stephen Matthews, Louise Davidson 

Commentaire:

Although some critics felt the show really needed a lavish set to match its operetta style, most agreed this was a delightful revival of an extremely clever, witty musical.  (plus) 

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002 Maddie (Original)
Joué durant  1 mois 1 semaine - Lyric Theatre (Londres - Angleterre)

48 représentations 

Première preview: lun. 22 septembre 1997
Première: lundi 29 septembre 1997
Dernière: sam. 08 novembre 1997


Metteur en scène:
Martin Connor •  
Chorégraphe:
David Toguri • Jenny Arnold •  
Avec:

Graham Bickley (Nick), Summer Rognlie (Jan/Maddie), Lynda Baron (Cordelia van Arc), Kevin Colson (AI), Beth Tuckey, Jon Rumney, Russell Wilcox, Michael A Elliott, Paddy Glynn, Louise Davidson, Nicola Filshie, Martin Parr. 

Commentaire:

Based on the novel “Marion’s Wall” by Jack Finney, and its film adaptation, “Maxie” with Glenn Close. The production was first staged at the Salisbury Playhouse, but it failed to find backing for a London transfer until the Daily Telegraph covered the story and more than a hundred of its readers became individual “angels”, raising some £150,000. It ran for six weeks and lost over half a million pounds.  (plus) 

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003 Jerry Springer: The Opera (Original)
Joué durant  5 mois - National Theatre - Lyttelton Theatre (Londres - Angleterre)

87 représentations devant 70158 spectateurs

Première preview: mer. 09 avril 2003
Première: mardi 29 avril 2003
Dernière: mar. 30 septembre 2003


Metteur en scène:
Stewart Lee •  
Chorégraphe:
Jenny Arnold •  
Avec:

Michael Brandon (Jerry Springer), Alison Jiear (Chantel/Eve), David Dedella (Warm-up Man/Satan), Wills Morgan (Montel/Jesus), Marcus Cunningham (Chucky/Adam), Valda Aviks (Zandra/Mary), Benjamin Lake (Dwight/God), Aally Bourne (Andrea/Archangel Michael), 

Commentaire:

This was Nicholas Hytner’s first show as the new artistic director of the Royal National Theatre, and it seemed to herald a new era, very different from Trevor Nunn’s series of American musicals’ “golden oldies”.
It had been rewritten and enlarged from earlier “fringe” versions at the Edinburgh Festival and the BAC, and proved to be hugely controversial. The clash of high operatic music and big choral parodies with scatological lyrics about whores, crack, and junkies made some critics compare it to a modern day “Beggar’s Opera”. A nearly naked Jesus admitting to being “a bit gay”, a plump glam-rock God descending on a golden swing singing “It Ain’t Easy Being Me”, and Jesus and Satan performing a baroque duet caused some critics to scream blasphemy. Adam and Eve and the Holy Virgin appearing as guest artists on the Jerry Springer TV chat-show made some critics respond enthusiastically to the satire on the cheap values of modern society. The show won four Olivier Awards including Best Musical.  (plus) 

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004 Jerry Springer: The Opera (West End Transfer)
Joué durant  1 an 3 mois 1 semaine - Cambridge Theatre (Londres - Angleterre)

Première preview: mar. 14 octobre 2003
Première: lundi 10 novembre 2003
Dernière: sam. 19 février 2005


Metteur en scène:
Stewart Lee •  
Chorégraphe:
Jenny Arnold •  
Avec:

David Soul (Jerry Springer), Guy Porritt (Steve), David Bedella (Warm-Up Man / Satan), Benjamin Lake (Dwight / God), Carrie Ellis (Peaches / Baby Jane), Claire Platt (Zandra / Irene / Mary), Ryan Molloy (Tremont / Angel Gabriel), Leon Craig (Montel / Jesus), Annabelle Williams (Andrea / Archangel Michael), Alison Jiear (Shawntel / Eve), Christopher Key (Chucky / Adam), Edward Baruwa (Dwayne Wayne), Dale Branston (Carlo Collins), Leroy Charlery (Bouncer, Ziggy Washington), Jason Griffiths (Michael Melikidse), Kiara Jay (Courtney Taylor), Trevor Jary (Drea Curtis), Nicole Joy-Fraser (Ariana Kostopoulos), Ruby King (Mercedes Serenity Jones), Kirsty Malpass (Tamera James), Elen Mon Wayne (Samantha Brown), Aoife Nally (Val Rosenthal), David O'Dell (Gilbert Nixon White), Johan Pearson (Bouncer, Tony Johnson), Andrew Playfoot (Marlon Jackson III), Verity Quade (Laurie Rae Johnson), Jeremy Secomb (Waylon Wasowski), Phillip Sutton (Elder F. Lower), Stephanie Tavernier (Teresa Jackson), Phong Truong (Elvis Chang), Elin Wyn Lewis (Tania Lee), Adriano Agostino (Earnest Diggle), Richard Alliston (Brett Monroe), John Coates (Dustin Summers), Jenny Dale (Betsy-Lou Danvers), Tania Mathurin (Letitia Moesha Jackson), Scott Monello (Bobby Jetson), Nicola Rutherford (Lorie Tyler), Gayle Telfer Stevens (Stella Eleanor Jefferson), Karen O Novak (Jerrycam Sequence Dancer) 

Commentaire:

This was Nicholas Hytner’s first show as the new artistic director of the Royal National Theatre, and it seemed to herald a new era, very different from Trevor Nunn’s series of American musicals’ “golden oldies”.
It had been rewritten and enlarged from earlier “fringe” versions at the Edinburgh Festival and the BAC, and proved to be hugely controversial. The clash of high operatic music and big choral parodies with scatological lyrics about whores, crack, and junkies made some critics compare it to a modern day “Beggar’s Opera”. A nearly naked Jesus admitting to being “a bit gay”, a plump glam-rock God descending on a golden swing singing “It Ain’t Easy Being Me”, and Jesus and Satan performing a baroque duet caused some critics to scream blasphemy. Adam and Eve and the Holy Virgin appearing as guest artists on the Jerry Springer TV chat-show made some critics respond enthusiastically to the satire on the cheap values of modern society. The show won four Olivier Awards including Best Musical.  (plus) 

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005 Rocky Horror Show (The) (Revival)
Joué durant  2 semaines - Playhouse Theatre (Londres - Angleterre)

Première preview: mer. 05 juillet 2006
Première: jeudi 06 juillet 2006
Dernière: sam. 22 juillet 2006


Metteur en scène:
Christopher Luscombe •  
Chorégraphe:
Jenny Arnold •  
Avec:

Steve Pemberton/ Nigel Planer/ Roger Lloyd-Pack (Narrator – 1 week each), David Bedella ((Frank-n-Furter), Julian Essex-Spurrier (Rocky ), Matthew Cole (Brad), Suzanne Shaw (Janet), Iain Davey (Riff-Raff), Shona White (Magenta), Kay Murphy (Columbia), Nathan Amzi (Eddie/Dr Scott) 

Commentaire:

This was the prelude to yet another new touring production, playing briefly in the West End before opening in Glasgow for a six month tour.  (plus) 

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006 Rocky Horror Show (The) (Revival)
Joué durant  3 semaines - Harold Pinter Theatre (Londres - Angleterre)

Première preview: jeu. 21 décembre 2006
Première: jeudi 04 janvier 2007
Dernière: sam. 27 janvier 2007


Metteur en scène:
Christopher Luscombe •  
Chorégraphe:
Jenny Arnold •  
Avec:

Brian Capron/Steve Pemberton/Danny Baker (Narrator), David Bedella (F rank-n-Furter), Julian Essex-Spurrier (Rocky ), Matthew Cole (Brad), Suzanne Shaw (Janet), Iain Davey (Riff-Raff), Claire Parrish (Magenta), Kay Murphy (Columbia), Nathan Amzi (Eddie/Dr Scott) 

Commentaire:

Back in the West End, for the seventh time—again for a short run prior to the eternal tour!  (plus) 

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007 Love's Labour's Lost (Revival)
Joué durant  3 mois - Haymarket Theatre (Londres - Angleterre)

Première preview: sam. 17 décembre 2016
Première: samedi 17 décembre 2016
Dernière: sam. 18 mars 2017


Metteur en scène:
Christopher Luscombe •  
Chorégraphe:
Jenny Arnold •  
Avec:

Sam Alexander (King of Navarre/Don John), John Arthur (Sir Nathaniel/Antonio), William Belchambers (Longaville/Conrade), Edward Bennett (Berowne/Benedick), Paige Carter (Maria/Ursula), Rebecca Collingwood (Katharine/Hero), Lisa Dillon (Rosaline/Beatrice), Nick Harris (Butler/Francis Pickbone/Butler/Officer/Musician), Nick Haverson (Costard/Dogberry), John Hodgkinson (Don Armado/Don Pedro), Tunji Kasim (Dumaine/Claudio), Emma Manton (Jaquenetta/Margaret), Chris McCalphy (Dull/Sexton), Peter McGovern (Moth/George Seacole/Soldier), Chris Nayak (Footman 1/Borachio), Jamie Newall (Boyet/Friar Francis), Steven Pacey (Holofernes/Leonato), Roderick Smith (Gatekeeper 1/Marcade/Verges), Jamie Tyler (Footman/Hugh Oatcake), Harry Waller (Gamekeeper 2/Marcade/Balthasar), Anna Wheatley (Housemaid/Housemaid), Leah Whitaker (Princess of France). 

Commentaire:

Following a 2014 run in Stratford-upon-Avon and a subsequent in Chichester, the RSC Chichester Festival Theatre productions of the heart-warming double bill Love’s Labour’s Lost and Much Ado About Nothing (or Love's Labour's Won) will transfer to the Theatre Royal Haymarket for a limited season.  (plus) 

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008 Much ado about nothing (Revival)
Joué durant  3 mois - Haymarket Theatre (Londres - Angleterre)

Première preview: ven. 09 décembre 2016
Première: samedi 17 décembre 2016
Dernière: sam. 18 mars 2017


Metteur en scène:
Christopher Luscombe •  
Chorégraphe:
Jenny Arnold •  
Avec:

Sam Alexander (King of Navarre/Don John), John Arthur (Sir Nathaniel/Antonio), William Belchambers (Longaville/Conrade), Edward Bennett (Berowne/Benedick), Paige Carter (Maria/Ursula), Rebecca Collingwood (Katharine/Hero), Lisa Dillon (Rosaline/Beatrice), Nick Harris (Butler/Francis Pickbone/Butler/Officer/Musician), Nick Haverson (Costard/Dogberry), John Hodgkinson (Don Armado/Don Pedro), Tunji Kasim (Dumaine/Claudio), Emma Manton (Jaquenetta/Margaret), Chris McCalphy (Dull/Sexton), Peter McGovern (Moth/George Seacole/Soldier), Chris Nayak (Footman 1/Borachio), Jamie Newall (Boyet/Friar Francis), Steven Pacey (Holofernes/Leonato), Roderick Smith (Gatekeeper 1/Marcade/Verges), Jamie Tyler (Footman/Hugh Oatcake), Harry Waller (Gamekeeper 2/Marcade/Balthasar), Anna Wheatley (Housemaid/Housemaid), Leah Whitaker (Princess of France). 

Commentaire:

Following a 2014 run in Stratford-upon-Avon and a subsequent in Chichester, the RSC Chichester Festival Theatre productions of the heart-warming double bill Love’s Labour’s Lost and Much Ado About Nothing (or Love's Labour's Won) will transfer to the Theatre Royal Haymarket for a limited season.  (plus) 

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Tous les spectacles joués par Jenny Arnold